Warner Bros. Exec’s upset that ‘Batman Begins’ did not show batsuit quickly


That’s the 20th anniversary for ”Batman begins“Of course, the tributes and retrospective interviews are flowing like caped crusaders … your … chap. filmS co -authors David S. Goyer Just took to Happy Sad confused podcast to share that Christopher Nolan blockbusterwhich was generally regarded as a top classic by Superhero Cinema, did not necessarily have Its greatness recognized by Warner Bros. Execs In the lead to the 2005 edition.

It was a fixed point in particular: the fact that ChristianBruce Wayne is actually not seen in the Batsuit as Batman until about an hour into its driving time. Most of the film to that point is about his pre-batman life, including his training In martial arts with The League of Shadows in a Himalayan Eyrie.

“They were not happy with it,” Goyer said on the podcast (via Amount). “No respect for the actors who played Bruce Wayne formerly, and as a movie guests we always fist and waited for the character to get into the suit and for the movie to start. But why is it?”

So to address this issue, Goyer and Nolan were compared when Wayne’s debut as Batman appears in “Batman Begins” with the first moment Clark Kent is completely in costume in Richard Donner’s “Superman: The Movie” and other superhero films and “Clocked the minute in the movie that the character had put on the cost …

More than any Batman-large-screen adaptation to that point, but “Batman begins”, and the trilogy it created was intended to be a character study. So there was a real intention behind the desire to get the audience to know and care about this character before he puts on the batsuit.

“We knew quite early that we needed to get the audience to fall in love with Bruce Wayne,” Goyer said. “We had to have a fantastic action sequence involving Bruce Wayne and not Batman. That’s how we came on the huge escape from the temple and him slid down the ice.”

Fair to say that the scary reception groups gave this film is what in the end meant in the end, not the costumes’ perspective.



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