Sex, lies and … shock comedy? In a new interview, filmmaker Steven Soderberg describes his outrageous comedy film It was never. The “Presence” and “Black Bag” told the director Men’s health That he had a “frustrating” experience to try to get a script Greenlit that resembled “Team America” and “Blazing Saddles” when it comes to being a “completely battle -crazy” story.
“I had this shock comedy that I tried to get made that no one wanted to move. It was frustrating,” Soderbergh said. “It is difficult to describe, but it was deliberately outrageous and provocative. And all the people who read what could potentially pay for it, whether it is companies or rich individuals, said:” This is too hot. “So it was a bummer.”
He continued, “I was really interested in doing something that was like a full comedy, like” flaming saddles. “Not a subtle comedy. Just slightly completely batheit crazy. That kind of things.”
The Brett author Also visited his films that did Manage to be produced – including the underrated “The Good German”, which Soderbergh admitted is the “most revealed” feature he has ever made.
“It would be really bad form for me to pretend to be underlined. But there is no doubt that” the good German “remains the most horrified I have ever done, which I am puzzled by,” he said. “I just … wow. As, people were really angry. And it was just strange, because of everything I’ve done, it may have been the closest I got to get what I saw in my imagination, you know? And then it just, it made people angry. Yes, it was interesting.”
Soderbergh added, “Other things I have done – things that when it came out were people dissatisfied with – almost everything else has undergone a kind of bike. People are like,” Oh, I saw “Solaris.” “And,” Ocean’s twelve “is actually not that bad.” That kind of thing.
Soderbergh knows that modern younger audiences are more director -driven when it comes to their movie choice: “Here is what I know from talking to focus functions (which distributed” Black Bag “), and people on A24, and neon: young people, 25 and below, go to the films and are very directive.”
Soderbergh before told indifire In 2024, as he, after he publicly retired in 2013, he had to realize how Hollywood changed before returning to filmmaking.
“I would say,“ I don’t know what I was thinking. “But I know what I was thinking, Soderbergh said.” And what happened was that I confused the job with some other issues in the industry or the business that I was dissatisfied with. And so I announced that “Behind Kandelabra” would be my last movie for a period. I post no timeline, I just said, “I stop.
He added: “The heads of the studio, they (now) do not have the kind of control and power even they used to have. Everything develops, everything changes. It’s the only constant. So the artist has to find out how to navigate in these changes.”
