Joseph Kosinski Gives another iconic 80s IP a modern twist. After helping “Top Gun: Maverick”, Kosinski will now direct “Miami vice“Restart filmas Thr reported. Indiewire has reached reps for Kosinski and Universal to confirm.
Kosinski, which also has “F1” on Applewill cooperate with screenwriters And gilroy (“Nightcrawler”, “The Bourne Legacy”) for the function. Kosinski’s version will be produced by Dylan Clark (“The Batman”).
“Miami Vice” was first an NBC -TV series with Don Johnson and Philip Michael Thomas as two undercover Miami police. Michael Mann, who served as a producer in the series, later concepted Large screen 2006 With Jamie Foxx and Colin Farrell in the movie Universal Pictures.
Kosinski recently told Deadline that his Formula 1 movie “F1” is Technically a sibling function to “Top Gun: Maverick” With stunts and camera work. “It’s the next generation from what we did on” Top Gun, “Kosinski said. “Everything is much smaller and the big innovation is that we can now control the movement’s movement on the cars. We are not locked up in such fixed positions that we had on” Top Gun “. Now we have real-time control of panning and focusing on them while we push through a very extensive RF network that we have built around the tracks.”
It seems that Kosinski will change aircraft and cars for boats with “Miami vice.” Mann’s 2006 film was also revolutionary at that time, with its mix of 35 mm and digital photography. Mann told indifire That during the first two weeks of the photography he had “this recurring nightmare that the film did not really exist” because of the lack of literal images. “I’m out and spending all the studio’s money shooting something that is some kind of concept art – there is only in my imagination because there is nothing concrete,” he said.
“Miami Vice” Cinematographer Dion Beebe Added, “I hated the idea of Dragging this digital system around the world, trying to shoot on boats with a tethered camera, and all of the stuff of that we had was terrifying. Theater (to screen Dailies) and Saw Some of the Results, and Started to Recognize That This New Aesthetic Sort of Emerging. (…) It’s Probly Still the hardest movie I’ve ever done.
