Audiard had previously raised the criticism, Tells CNN an espanol In an interview January 15, “If there are things that seem shocking in Emilia Pérez Then I’m sorry. Cinema does not give answers, it just asks questions … but maybe the questions in Emilia Pérez are incorrect. “
However, Gascón challenged the film’s critics to make their own film. “Being LHBTQ, having these labels does not remove your stupidity, just like heterosexuality does not remove your stupidity,” she told Vanity in December. “What bothers me is that the people who say things like it (is) just sit at home and do nothing … go create the representation you want to see for your society.”
At the same time, none of the above film prevented the look at awards, including a field-leading 13 Oscar nominations.
“What shocked me is that either people have not seen the movie properly, or have not seen it at all and act in bad faith,” Audiard told Deadline In an interview published February 5. “The representation of the cartels in the film is thematic. It is not something that I am particularly focused on in the film. There is a scene about it.”
Opera, he emphasized, requires strong stylization. “It seems that I am being attacked in the court of realism,” he said. “Well, I have never claimed that I wanted to do a realistic work.”
If he had a regret, Audiard noted, it was that they did not film in Mexico, but financing options were simply better in France.
