Listen up students, Professor Coogler is present for class and ready to put down some knowledge. In promotion of his Upcoming horror movie“Sinner“Author/director Ryan has released a video with Kodak It not only posts all formats that the audience can see it in theaters, but also what every experience offers. Fans of traditional film Warehouse will also rejoice, when Coogler goes in detail about what makes its use so special. Watch the video below.
“I’m really excited to announce that” sinners “were caught on film,” Coogler said. “It’s a format that I fell in love with when I was in the film school, so I brought some film strips here.”
Coogler continued to show off the four sizes of Film layerStarts with Super 8mm, which he described as more for “home videos”, although it still gives a “really beautiful aesthetic.” From there, the “Black Panther” director continued by showing a bit super 16mm movie.
“This is a type of movie that is very close to my heart,” he said. “This is what we shot” Fruitville Station “on and it is crazy because this is the same material (as 8mm) just a little wider and when a catch film becomes wider – the same as digital photography – what is happening is that you get a little more resolution and you get a shallower depth of the field, which means less of the image is in focus at a certain time.”
To highlight the use in the latest films as Sean Baker’s Oscar winning “Anora,” Coogler detailed 35 mm as the format that “many masterpieces” are managed. “Sinning”, however, is shot at what Coogler calls “The Big Boy format”, 65mm.
“Same material as this, as a super 8 here, but only wider, so obviously even more resolution, even shallower depth in the field, and these perforations have a special meaning for taking the film with two different camera systems, a ownership of Panavision-it is called Ultra Panavision 70, used on films such as” Ben-How “the Hatiga Eight”-one that it is otherwise format. Most “the hateful eight”-but another format is that it is impressed is that it is impressed it is in the slender.
While Ultra Panavision 70 enables more framewidth, IMAX movie cameras explain larger height Coogler, and since “sinners” are the first movie to use both, it will literally be one of the biggest films ever on the screen. Later in the video, Coogler also shows the ways in which “sinners” will be projected, ranging from standard digital to 4DX and even engrossing film, as well as places for where people can catch the image actually projected on film.
Watch Coogler’s entire video below.
