Francis Ford Coppola finds the dazzling glare in its multiple 2025 Razzie Award nominations.
“Megalopolis“AUTEUR collected six nominations for the futuristic element – which, ironically, is exactly how many Oscar prices he has. While Coppola’s self-financed “Megalopolis” was definitely not an Oscar challenger, the author/director is still honored to be recognized for taking a “risk” with filmAlthough it was considered raid-worthy. Razzie Awards Scary celebrate this year’s “worst” films.
“I am proud to accept the Razzie award in so many important categories for ‘megalopolis’, and for the distinct honor to be nominated as the worst director, worst script and worst picture at a time so few have the courage to go against the prevailing trends for contemporary movies!” Coppola wrote it Instagram. In this wreck from a world today, where art is given as if it were professional wrestling, I chose not to follow the intestinal rules established by an industry so terrified of risks that despite the huge pool of young talent at its disposal, may not create images that will be relevant and alive 50 years from now on. ”
Coppola continued, what a honor to stand with a big and brave filmmaker like Jacques Tati who completely got to make one of the film’s most beloved failures, “Llektid”. My sincere thank you to all my brilliant colleagues who went with me to make our artwork, ‘megalopolis’, and let us just remind us to remind us that ”
“Megalopolis” got the title “WTF the movie” by Rablesand invoiced as an “incoherent $ 120 million mess from the safe director of” The Godfather “.
Razzie Award ”winner“Since February 28, with” Madame Web “was announced, which beat” Megalopolis “for the title as the worst image. Coppola won the worst director, and “Megalopolis” actor Jon Voight won the worst supportive actor and shared it with his second 2024 turn in “Reagan”, “Shadow Land”, “Strangers.” “Joker: foil à deux” had the most raid nominations with seven nods.
Coppola earlier told indifire That he credited his ensemble role for influencing the final version of his long-gestured epic “megalopolis.”
“Regardless of value” Megalopolis “has essentially from my collaborators,” he said. “It’s not just the movie I wanted to make; It is better than the movie I wanted to do because it was the result of a great collaboration. “
Coppola also reflected on the decades long process of bringing the function to the screen.
“My habit of making movies is that I work with something very intense until I hate it so much that I abandon it,” Coppola said. “Then I work with a second movie as a relief to get away from the one I hate. Then I work so much that I hate to One, and I look at the first I hated and say, “It wasn’t that bad.” And then I go and do it. I always make a movie that I had previously abandoned. “
He added: “In the end, only the director knows what they are trying to achieve. It is very difficult when there are people who have wonderful ideas, but they differ from your idea. It makes collaboration a tricky company. There is something in me that has an idea that I try to achieve, and the only way to achieve it is to go through the experience of the experience and a dang. The production of this film was very similar to the creation of ‘Apocalypse Now’, and ‘Apocalypse Now’ is still seen 40 years later. I hope that “Megalopolis” is such a movie, where you see it more all the more it changes in your mind. ”
For what it is worthwhile, IndieWire gave chief -movie critic David Ehrlich “Megalopolis” a B+ rating in his review from Cannes, and the movie appeared on several IndieWire Staffers’ Top 10 lists of the year.
