If it makes someone feel better, the total cash office of $ 55 million was best for any Super Bowl weekend since 2020. It also continues to improve the year and best 2024 by close to 50 percent.
“Hundman” (Universal) repeated as No. 1 by $ 13.7 million but unexpectedly sank 62 percent during their second weekend after a surprisingly strong opening. “Heart eyes” (Sony) and “Love hurts” (Universal), two new broad editions, combined managed $ 15 million.
Dreamworks animated film Opened about the same as “The Wild Robot”, with a similar one cinemascore. It was unlikely that ”Dog man“Would reach $ 144 million” The Wild Robot “achieved, but based on precedent (similar movies usually triple their openings) seemed as if it could be a gross of $ 100 million. With its steep case, $ 85 million feels more likely.
The year has seen nine publishers that are not Franchise studio emissions so far, most medium or lower budgets, but only “dog man” and “one of them days” (Sony) looks to pass $ 50 million in the United States/Canada gross. The rest will probably end up at $ 25 million or lower.
With international gross tones and non-theatrical games, some can break evenly. But the results needed to be better to improve the current Box Office and encourage more non-franchise production.
The jump for both ”Heart eyes“(Sony) and” Love Hurts “(Universal) were original ideas that inventfully mix genres could click. As Super Bowl-against programming, they can benefit from the coming Valentine’s Day and the four days of the presidents this weekend. But with $ 8.5 million and $ 5.8 million, and “Captain America: Brave New World” (Disney) along with “Paddington in Peru” (Sony) to come next weekend, none of them are likely to be happy.
It is a real disappointment. Both films were risks for their studios. “Heart Eyes” (made by Republic, acquired by Sony) is a hybrid Rom-Com/Slasher movie with positive reviews. “Love Hurts” stars two recently supported actors Oscar winners with Ke Huy Quan and Ariana Debose. It is an action comedy that tried to capture the feeling of “knives out”, but received terrible reviews.
“Being led Zeppelin” (Sony Pictures Classics) in only 369 theaters for $ 2.7 million, was good enough for seventh place. Among the holders, only the long -lasting No. 4 “Mufasa: The Lion King” fell less than 40 percent. The second weekend of “Companion” (Warner Bros. Discovery) fell 68 percent.
Four of the top 10 are animated movies and not an Oscar nominees are among them. Searchlights “A Complete Unknown” is best at No. 11 with $ 1.2 million.
“Parthenope” (A24) from Paolo Sorrentino (“A Great Beauty”) saw a weak debut of $ 32,000 in four theaters in New York/Los Angeles. The expanding “I’m still here” (Sony Pictures Classics) is doing much better, with over $ 1 million in 704 theaters and $ 2.3 million in total so far. This may be the largest winner of the award season; It could easily have been a $ 1 million defeat despite its excellent reviews.
The self -divided “no other country” expanded in week two to 22 theaters with a decent $ 96,000. Norwegian Cannes Camera d’Or winner “Armand” (IFC) collected $ 23,000 and opened in two theaters. A re-publishing of Jean-Luc Godard’s “A Woman is a Woman” made a decent $ 11,000 in a place in New York.
Top 10
1. Dog man (Universal) week 2; Last weekend no 1
$ 13,700,000 (-62%) in 3,887 theaters; PTA (per theater average): $ 3,525; Cumulative: $ 54,102,000
2. Heart eyes (Sony) NY-CINEMASCORE: B-; Metacritic: 62; Est. Budget: $ 18 million
$ 8,500,000 in 3,102 theaters; PTA: $ 2,740; Cumulative: $ 8,500,000
3. Love hurts (Univerral) New – Cinemascore: C+; Metacritic: 35; Est. Budget: $ 18 million
$ 6,875,000 in 3,055 theaters; PTA: $ 1,899; Cumulative: $ 6,875,000
4. Mufasa: The Lion King (Disney) week 8; Last weekend no 3
$ 3,924,000 (-38%) in 2,945 (-235) theaters; PTA: $ 1,322; Cumulative: $ 235,206 000
5. Subjects (WB) week 2; Last weekend no 2
$ 3,020,000 (-68%) in 3,285 (no changes) theaters; PTA: $ 919; Cumulative: $ 15,487 000
6. One of them days (Sony) week 4; Last weekend #4
$ 3,000,000 (-49%) in 2,051 (-255) theaters; PTA: $ 1,462; Cumulative: $ 39 372 000
7. Become Led Zeppelin (Sony Pictures Classics) New – Metacritic: 66
$ 2,627,000 in 369 theaters; PTA: $ 7.119; Cumulative: $ 2,627,000
8. Air risk (Lionsgate) week 3; Last weekend #5
$ 2,600,000 (-52%) in 2,740 (-421) theaters; PTA: $ 949; Cumulative: $ 25,199 000
9. Sonic The Hedgehog 3 (Paramount) week 8; Last weekend #6; Also on Pvod
$ 1,750,000 (-46%) in 2,061 (-604) theaters; PTA: $ 849; Cumulative: $ 233,094,000
10. Moana 2 (Disney) week 11; Last weekend #7; Also on Pvod
$ 1,544 000 (-46%) in 1,785 (-415) theaters; PTA: $ 865; Cumulative: $ 456,118 000
Other specialized/independent titles
Movies (limited, enlargements of limited) are listed after week in the release, start with those that were opened this week; After the first three weeks, only movies with gross tones are listed over $ 5,000. Metacritical points and initial film festivals recorded when available. After week two, per theater average listed only to expand films with under 100 theaters.
OPENING (platform)
Parthenop (A24) New – Metacritic: 54; Festivals include: Cannes 2024
$ 31,906 in 4 theaters; PTA: 7 977 $
Armand (IFC) New – Metacritic: 64; Festivals include: Cannes 2024
$ 23,000 in 2 theaters; PTA: $ 11,500
A woman in a woman (Rialto) re -release
$ 11,000 in 1 theater; PTA: $ 11,000
OPENING (wide)
Parasite (Neon) re -release
$ 326,000 in 279 theaters; PTA: 1 689 $
Transition
No other country (no distributor) week 2
96 150 $ in 22 (+21) theaters; PTA: $ 4,370; Cumulative: $ 144,613
Presence (Neon) week 3
$ 305,000 in 586 (-1,153) theaters; Cumulative: $ 6,662,000
I’m still here (Sony Pictures Classics) week 4
$ 1,061,000 on 704 (+611) theaters; Cumulative: $ 2,316,000
The last showgirl (Road attractions) week 5 142
75,590 $ in 83 (-59) theaters; Cumulative: $ 4,603,000
A complete unknown (Searchlight) Week 7
$ 1,241,000 in 1,305 (-210) theaters; Cumulative: $ 69,017 000
Nosfer (Focus) Week 7; Also on Pvod
$ 300,000 in 467 (-516) theaters; Cumulative: $ 95 385 000
Babygrirl (A24) week 7; Also on Pvod
$ 122,595 152 (-156) theaters; Cumulative: $ 27,968,000
Brutalist (A24) Week 8
$ 914 388 in 1,115 (-497) theaters; Cumulative: $ 13,727 000
The room next door (Sony Pictures Classics) Week 8
$ 33,588 in 52 (-42) theaters; Cumulative: $ 2,321,000
September 5 (Paramount) week 8; Also on Pvod
$ 118,000 202 (-196) theaters; Cumulative: $ 2,642,000
The seed from the holy figs (Neon) week 10
$ 35,500 in 87 (-163) theaters; Cumulative: $ 747 807
Flow (Janus/Sideshow) Week 11; Also on vod
$ 96,000 161 (no change) theaters; Cumulative: $ 4,068,000
A real pain (Searchlight) week 15; Also on vod
$ 21,000 in 35 (-145) theaters; Cumulative: $ 8 336 000
Conclave (Focus) week 16; Also on vod and streaming
$ 35,000 in 234 (-13) theaters; Cumulative: $ 32,099 000
Aor (Neon) week 17; Also on vod
$ 53,700 in 229 (-18) theaters; Cumulative: $ 15,308,000
