“One battle after the other“Has proven to be for press and industry, and Paul Thomas Anderson’s Rave-Oction-Thriller (which is also a comedy!) Is now an Oscar-Frontunner, who Indiegees anne thompson already said. (Indiegees David Ehrlich also called it the best American studio film since he became a film critic. It puts down some big shoes to fill.)
Yet in this week’s section of indieviews ”Screenpat“Podcast, co-host Anne Thompson and Ryan Lattanzio capture the film, starring Leonardo DiCaprio as a former revolutionary search for his missing daughter (Chase Infiniti) after a secured former enemy (Sean Penn) returns. 90 minutes.
Speaking of, Ryan finally took up the “port” after missing Telluride and Toronto. Jessie Buckley and Paul Mescal provide moving performances as a mourning William Shakespeare and his wife after their son dies of the plague, but Ryan had a leg to choose about the use of Max Richter’s “On daylight” In an important emotional climax, a piece that we have already heard in “arrival”, “The Last of Us” and “Shutter Island” in similar cathartic moments. In addition, Richter had an entire original point (one likely to be Oscar-nominated) written and ready, right there!
We also summarize what went down at last weekend’s Venice Film Festival AwardsWhere Alexander Paynes’s jury controversially chose Jim Jarmusch’s “Father Mother Sister Brother” as the Golden Lion winner over the calculated winner “The Voice of Hind Rajab”, Tunisian filmmaker Kaouther Ben Hanias Pro-Palestina Gaza Rescue Drama.
Listen to this week’s section below.
