In addition to the show that followed them and their contemporary rehearsed and performed for the first time in a decade, it finally jumped B*Witched’s second chapter – when they allowed them to appreciate what they could achieve the first time.
“I am still quite happy to sing ‘C’est la vie,’ ‘revealed Keavy,’ because it is an electric moment – it really is. There are so many ups in that song, from the guitar riff already in the beginning, and then keeps the music in the middle, and the choir, which, it just stretches, and the energy and the hysteria just react.”
Like Lindsay chimped in, “It’s amazing how it was the test of the time – which, it was a pop song in the 90s and now, all this time later, it is still played, it is still appreciated, it is still enjoyed. It is something we could never have known then.”
Although their biggest track is in many ways, as Sinéad put it, “The song that continues to give”, there was a time when Edele was ready to put it behind her.
“I fell out with it a bit, “she admitted.” I was like, “I’m really tired of singing this.” And then I did a stage show. And the actor did, but I didn’t – which was really an unusual choice – but I got to sit at that point and see it from the audience perspective. Then I understood it from a different point of view, so I’ve come back on board. “
