If you try Start a career in filmmaking Or simply try to understand the process that makes your favorite media, learning the industry’s jargon can be a scary task. Film Heritages speak with their own language that has been developed for a century of filmmaking, and it requires some effort to get yourself to communicate effectively.
If you are on your way to Your first job on a set, Film Framtime have you already covered with Our guide To terms, you will hear under a shoot. But when you hear “it’s a wrap”, the movie process is far from over. The post -production The process is its own animal that encompasses editingSound design, color, points and VFX – and it can take even longer than the photography itself. And post production comes with its own set of terminology which can be scary for an outsider. Give yourself a leg on the competition by getting acquainted with the terms below.
Adr -The card for automated dialogue compensation, this is the process of recording parts of an actor’s dialogue during post production. ADR can serve several purposes, from fixing sound errors to changing the entire dialog rows.
Mounting Cut – The very first average of a movie or section that comes after production, a mounting cutting simply assembles the images in the order it is shown in the script before the editor, director and producers begin to shape it.
Sound bridge – A transition that uses a sound – everything from a series of dialogue to a healthy effect or music code – to connect one shot to another.
Bookends – A technology where an image shown at the beginning of a movie or section is reproduced or referred to at the end as a way to bring the story throughout the circle.
The right colorOn – the first step in the color process, where a colorist fixes inconsistencies in the images because it looks natural to the human eye and restores the color level that the director and the Kinematographer shot at the set.
Color classification – The second step in the color process, where a colorist manually changes parts of each image to increase or decrease saturation, shadows or other elements to achieve the director’s stylistic vision.
Cross cutting – A technology that means switching between images of two events to illustrate that they are happening at the same time.
Diaries – The raw pictures from a day’s shot provided to producers and managers in the project.
Director’s cut – The filmmaker’s preferred cut of a movie or section sent to managers on the project. While audits are usually made after the director’s cut has been submitted (unless the filmmaker has a deal that guarantees them final cut on the project), the director’s cut can later be released for fans who want to compare it with what was released in theaters or on streaming.
Dissolve – a gradual transition where the end of a shot overlaps with the beginning of another
Eye line match – A technology where an image of a character that looks at something is immediately followed by a shot of what they are looking at, which means that the audience can see things from the character’s perspective. Famously used in scenes as the last mounted by the finale “Sopranos”.
Fade – A transition where the frame gradually shines at the beginning of a shot or darkens at the end of one.
Iris – An old school transition where a black circle expands or contracts to finish or start a scene. The technology would only be used for specific stylistic purposes today.
Jumping shed – A sudden cut that omits part of the action to show the passage of time. Pioneering of Jean-Luc Godard in films such as “Breathless.”
L-CUT – A transition where sounds from a scene continue to play over the next scene.
Inclination -A abbreviation for an encyclopedia, a table with numeric values that can be used to calibrate a digital camera while you shoot or apply to raw images during editing to make images look less flat and closer to how the human eye perceives color. Applying a lye can be a preliminary step in the color correction process.
Match – An incision where two images with shared composition elements, such as similar shapes, are placed next to each other.
Mixture – The crucial art of mixing all audio components in a scene – that can include dialogue (often from several microphones with their own levels), sound effects, music, surrounding sounds and room tones – to create the final sound product that the audience hears.
Rough mowing – An early, unfinished cut of the film that can be shown to interested parties. “Rough Cut” does not refer to a specific step in the editing process, but can be used as a catch term for anything that is not a final cut.
Shot reverse shots – The most traditional method of shooting and editing dialogue scenes, where a scene is shot from two perspectives and every shot of a character that speaks is followed by its “reverse” by the other character that speaks.
